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The Gold Shop of Ba-’Ali
Evolution of the Genus Iris
Songs for a Summons
Detroit as Barn


A Change of Maps

by Carolyne Wright

Carolyne Wright explores in poetry what it means to live in different worlds, and probes with great sensitivity what it means to live in two or more different worlds at the same time . . . Wright writes with passion, eloquence, and clear moral perspective.

—Andrew Hudgins

Amnesty Muse

by Doren Robbins

A poet examines his life: what he’s been dealt, what he’s chosen, the workings of history with personal griefs and delights, “amnesty” of an uneasy coming-to-terms with self and others, being his muse. There’s a macabre wit, masculine vulnerability, and soul-conflict in the best of these poems, adding up to a very strong book.

—Adrienne Rich

As Is

by Sheryl Noethe

As Is tells the heroic story: loss, struggle, victory, and how god is milk and throat at once, and rock and child, and how the future leaks outlandishly into the present. That the reason humans exist (now didn’t you ever want to know that?), the reason for humans is that we can love. It’s our job because that’s what we were built to do. Join the Divine.

At the Edge of the Western Wave

by Carlos Reyes

This collection catches perfectly that special sense of rural Ireland which might be described as mixture of raw satirical humour, tragedy, and a kind of yearning for love and connection in a society that feels a constant tension between materialism and spirituality. At the Edge of the Western Wave is a big and sweeping enough collection to be able to accomodate these themes and their nuances . . .


by Shann Ray

A celebration of the intricacies of love. Shann Ray’s Balefire is visionary—a powerful and moving visit to the places that haunt us.

—Debra Magpie Earling, Perma Red

Before There Is Nowhere to Stand: Palestine | Israel: Poets Respond to the Struggle

Edited by Joan Dobbie & Grace Beeler with Edward Morin

Responding to the violence of Israel’s Operation Cast Lead against Gaza in 2008 – 2009, Joan Dobbie and her niece Grace Beeler, descendants of Holocaust survivors, issued a call for poems by writers of “Palestinian or Jewish heritage . . . for an anthology that strives for understanding . . . in the belief that poetry can create understanding and understanding can dull hatred.”

This book is a tribute to resourceful imaginations. Its purpose is to give readers an occasion to perceive the aspirations and passions of those whose lives have been affected by the struggle—in Joseph Conrad’s words, “to make you hear, to make you feel—it is, before all, to make you see.”

The poems are arranged in seven sections, each dealing with an attribute or phase of the Palestine-Israel struggle. When possible, selections alternate between Jewish and Arab authors, effecting dissonance in subject, emphasis, and attitude—an uneasy multiculturalism.


by John Whalen

John Whalen’s Caliban is tempest-, whiskey-, and romance-tossed. It is also mordantly funny, peculiarly moving, and always gorgeous. These poems are as deeply pleasurable to read one at a time as in one great gulp, which is all we should ask of any book.

—Elizabeth McCracken

Composing Voices: A Cycle of Dramatic Monologues

by Robert Pack

Robert Pack’s new volume of poetry, Composing Voices: A Cycle of Dramatic Monologues, is a fabulously expanded version of his 1984 book, Faces in a Single Tree. In each of the poems a single person is talking to one other person to whom he is intimately related, creating deep dramatic tension: a father talking to a bereaved daughter or puzzled son; a sister confronting a sister gone astray or a brother to whom she is confessing her compromised pregnancy; husbands and wives, old and young, reviewing some crisis of their lives together. Combined with these human dramas are the dramas of nature. Pack inherits Robert Frost’s sensitivity to the minutiae of spectacle and evolution, the mysteries of God and Darwin’s theories. He regards these with humor and compassion. And, perhaps miraculously, but surely most wisely, he does it all within the regulations and beauties of blank verse.


Edited by Renée Roehl & Kelly Chadwick

. . . Gathered from the root-zones of many different trees, knife-scraped from rock-face, lifted from dung, spore-flung into air, these gathered mushroom poems offer undomestic, distinctive discoveries to all who choose to join the effort to find them.

—Jane Hirshfield

Detroit as Barn

by Crystal Williams

“Visionary, charged with tense grace, Crystal Williams’ new collection Detroit as Barn is an extraordinary act of redemption.”